“Stay,” launched on Raymond Braun/Columbia Records/Def Jam, drew 86.4 million radio airplay audience impressions (up 4%) and 23.2 million U.S. streams (down 6%) and sold 7,400 downloads (down 14%) in the week ending Oct. 7, according to MRC Data.
” Stay” ratings a fourth week at No. 1 on the Radio Songs chart; increases 4-3 on Streaming Songs, where it has invested six weeks on top; and drops 6-10 on Digital Song Sales, after reaching No. 3.
On the other hand, as “Stay” tops the Hot 100 for a seventh week, it ties for the second-longest No. 1 run for a tune by two or more co-billed solo male leads over the charts 63-year history. Heres an upgraded take a look at such songs that have actually ruled for at least three weeks (and which excludes duos or groups understood for frequently recording together).
Weeks at No. 1, Title, Artists, Peak date:16, “Despacito,” Luis Fonsi & & Daddy Yankee (feat. Justin Bieber), beginning May 27, 20177, “Stay,” The Kid LAROI & & Justin Bieber, beginning Aug. 14, 20217, “Ebony and Ivory,” Paul McCartney & & Stevie Wonder, starting May 15, 19826, “Say Say Say,” Paul McCartney & & Michael Jackson, starting Dec. 10, 19834, “Shake Ya Tailfeather,” Nelly, P. Diddy & & Murphy Lee, beginning Sept. 6, 20033, “All for Love,” Bryan Adams, Rod Stewart, Sting, beginning Jan. 22, 1994
” Stay” concurrently hits No. 1 on the Adult Pop Airplay radio chart, where its The Kid LAROIs 2nd leader, after “Without You” dominated for a week in July, and Biebers fourth.
Lil Nas X and Jack Harlows “Industry Baby” rebounds to its No. 2 Hot 100 best, from No. 3. The song, which debuted at No. 2 in August, keeps at No. 2 on Streaming Songs (23.4 million, down 7%); climbs up 6-5 on Radio Songs (58.1 million, up 15%); and falls 8-12 on Digital Song Sales (5,200, down 3%). It adds a seventh week atop both the Hot R&B/ Hip-Hop Songs and Hot Rap Songs charts, which utilize the same multi-metric approach as the Hot 100.
Rounding out the Hot 100s leading 10, Wizkids “Essence,” including Bieber and Tems, advances 11-10. It backtracks 7-9 on Radio Songs but with a 5% gain to 48.9 million; increases 26-21 on Streaming Songs (11.2 million, down 1%); and falls 17-24 on Digital Song Sales (3,200, down 8%).
Wizkid earns his second Hot 100 top 10, following his featured turn with Kyla, on Drakes 10-week 2016 No. 1 “One Dance.” Tems (like Wizkid, from Nigeria) attains her first top 10 with her very first entry on the chart. (She added her second charted title as included on Drakes “Fountains,” which debuted at its No. 26 peak on the Sept. 18 survey.).
Bieber tallies his turning point 25th Hot 100 leading 10, having actually joined Wizkid and Tems on the “Essence” remix released Aug. 13. Heres an upgraded recap of the show the most top 10s, as Bieber matches the totals of Lil Wayne and Elvis Presley (with the chart having begun two years after Presleys business development).
Most Billboard Hot 100 Top 10s:54, Drake38, Madonna34, The Beatles31, Rihanna30, Michael Jackson29, Taylor Swift28, Mariah Carey28, Stevie Wonder27, Janet Jackson27, Elton John25, Justin Bieber25, Elvis Presley25, Lil Wayne.
In addition, Coldplay and BTS “My Universe” comes down to No. 12 on the Hot 100 after it rocketed in at No. 1 a week previously. It posts a 2nd week at No. 1 on Digital Song Sales (42,600, down 54%) and slides 21-32 on Streaming Songs (8.8 million, down 23%), while sporting a 41% gain to 7.9 million in all-format airplay audience. The partnership gathers a second week atop the multi-metric Hot Rock & & Alternative Songs and Hot Alternative Songs charts.
Once again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Oct. 16), consisting of the Hot 100 in its whole, will revitalize on Billboard.com tomorrow (Oct. 12).
Walker Hayes “Fancy Like” hits a brand-new No. 3 Hot 100 high, rising from No. 5, as it tops the multi-metric Hot Country Songs chart for a 13th week. Significantly, the song is the fifth to have struck the Hot 100s leading three and led Hot Country Songs given that the latter list embraced the very same methodology as the former in October 2012, and three of the entries have actually scored such status in 2020-21 Heres an upgraded rundown.
Hot 100 Peak, Title, Artist( s), Weeks atop Hot Country Songs; Year( s): No. 1, three weeks, “We Are Never Ever Getting Back Together,” Taylor Swift, 10; 2012No. 2, “Meant to Be,” Bebe Rexha & & Florida Georgia Line, (a record) 50; 2017-18No. 2, “Forever After All,” Luke Combs, 10; 2020-21No. 3, “I Hope,” Gabby Barrett feat. Charlie Puth, 27; 2020-21No. 3, “Fancy Like,” Walker Hayes, 13; 2020-21.
For 4 of the five tunes above (except for Combs), pop radio crossover airplay has actually helped their Hot 100 efficiencies. “Fancy Like” bullets at its No. 4 best on the Oct. 16 Country Airplay chart and enhances 14-13 on Adult Pop Airplay, 17-16 on Pop Airplay and 22-21 on Adult Contemporary.
Drakes “Way 2 Sexy” holds at No. 4 on the Hot 100, following its No. 1 launch four weeks earlier, as it logs a 5th week atop Streaming Songs (23.4 million, down 15%); Ed Sheerans “Bad Habits” rebounds 6-5 on the Hot 100, after reaching No. 2; Olivia Rodrigos “Good 4 U” presses 7-6, after it debuted at No. 1 in May; and Doja Cats “Kiss Me More,” including SZA, rises 8-7, after reaching No. 3.
Dua Lipas “Levitating” raises 10-8 on the Hot 100, after striking to No. 2. It spends a 38th week in the leading 10, the third-longest run in the charts archives, after The Weeknds “Blinding Lights” (57 weeks; 2020-21) and Post Malones “Circles” (39 weeks; 2019-20).
Drakes “Knife Talk,” featuring 21 Savage and Project Pat, is fixed at No. 9 on the Hot 100, after reaching No. 4.
Lil Nas X and Jack Harlows “Industry Baby” rebounds to its No. 2 Hot 100 best, from No. 3. The song, which debuted at No. 2 in August, keeps at No. 2 on Streaming Songs (23.4 million, down 7%); climbs 6-5 on Radio Songs (58.1 million, up 15%); and falls 8-12 on Digital Song Sales (5,200, down 3%). Walker Hayes “Fancy Like” strikes a new No. 3 Hot 100 high, rising from No. 5, as it tops the multi-metric Hot Country Songs chart for a 13th week. Hot 100 Peak, Title, Artist( s), Weeks atop Hot Country Songs; Year( s): No. 1, three weeks, “We Are Never Ever Getting Back Together,” Taylor Swift, 10; 2012No. Additionally, Coldplay and BTS “My Universe” comes down to No. 12 on the Hot 100 after it soared in at No. 1 a week previously.